With the tagline “Local, simple and honest,” Boca Kitchen Bar Market was among the first wave of farm-to-table restaurants in Tampa Bay to make the assertion “we use local products whenever possible.” I’ve reviewed the food. My own words are right there on their website: “local, thoughtful and, most importantly, delicious.”
But I’ve been had, from the snapper down to the beef.
Most of us take it upon ourselves to show the people we love how special video games can be. We often forget that when we play, we bring years and sometimes decades of fluency in this medium. It’s rare that someone without that background can pick up a controller and play without guidance. Books are easy to share because everyone learns to read. Not everyone spends the hours necessary to learn how to play what we consider to be “core” games.
These days I’ve got three languages rattling around in my head: English, Croatian, and American Sign Language (ASL). (There was a point at the start of college when I could read novels in Spanish, but that muscle has since atrophied.) Where I am and who I’m with dictates which language is in the driver’s seat, of course, but they’re always in there, vying for control.
The conventional answer to this question is that three blades minimizes the shadow effect that each leading blade has on the blade that follows. You want more blades to reduce the starting torque required to get your turbine spinning (this is analogous to having more cylinders in an engine making it run smoother) but if you have too many blades the shadow effect hurts efficiency and drops the total yield. Three blades peak at about 48 percent efficient, which isn’t 59.3 percent but is near enough and happens to be the practical output I mentioned two paragraphs ago. So it must be right, right?
Computers live in virtual space; dance is visceral. But the truth is that the biggest problem with choreography and AI is something that choreographers themselves have been struggling with for as long as the art has been around: notation.