Digital music platforms are filled with copycat recordings—duplicitous remakes motivated not by artistry, but by money
A small foot in China, no different from a tiny waist in Victorian England, represented the height of female refinement. For families with marriageable daughters, foot size translated into its own form of currency and a means of achieving upward mobility. The most desirable bride possessed a three-inch foot, known as a “golden lotus.” It was respectable to have four-inch feet—a silver lotus—but feet five inches or longer were dismissed as iron lotuses. The marriage prospects for such a girl were dim indeed.
Imagine that Banksy, (or J.S.G. Boggs, or some other artist whose name starts with “B”, and who is known for making fake money) creates a perfectly accurate counterfeit dollar bill – that is, he creates a piece of paper that is indistinguishable from actual dollar bills visually, chemically, and in every other relevant physical way. Imagine, further, that our artist looks at his creation and realizes that he has succeeded in creating a perfect forgery. There doesn’t seem to be anything mysterious about such a scenario at first glance – creating a perfect forgery, and knowing one has done so, although extremely difficult (and legally controversial), seems perfectly possible. But is it?